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Introduction to Crime Scene Photography
 
 

Introduction to Crime Scene Photography, 1st Edition

 
Introduction to Crime Scene Photography, 1st Edition,Edward Robinson,ISBN9780123865434
 
 
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Academic Press

9780123865434

9780123865441

432

235 X 191

A concise, up-to-date introduction to crime scene photography techniques for the layperson with little to no photography experience

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Key Features

*Contains over 350 high-quality 4-color images
*Includes a Companion Web site hosting images from the volume as well as an Instructor Web site with key words, lecture slides, test bank and supplemental images
*'Rules of Thumb' are included to highlight key concepts

Description

Introduction to Crime Scene Photography acquaints the reader with the essentials of basic crime scene photography techniques. It looks at the concepts related to composition and relates them to the types of photographs captured by crime scene photographers. It explains how to capture images based on the exposure settings chosen to produce the effect desired. It considers the techniques used needed to control and maximize Depth of Field (DOF), and reviews how the different lenses will affect an image. Organized into seven chapters, the book begins with an overview of crime scene photography and composition, including the three cardinal rules of good photography. It then proceeds with a discussion of the benefits of bounce flash and how to utilize this technique to properly compose the subject of interest. It also explains how to capture any image necessary at the crime scene by combining the concepts of composition, nonflash exposure, DOF, flash exposure, and the use of various types of lenses. In addition, the reader is introduced to various energy sources and filters, digital processing of evidentiary photography, and legal issues related to photographs and digital images. Examples and illustrations are provided throughout to demonstrate how the concepts examined tend to form a sort of symbiotic relationship. This text will benefit scene investigators and photographers, forensic consultants, forensic scientists, undergraduate students in forensic and/or criminal justice programs, law enforcement professionals, and anyone who wants to acquire the skills needed to be a successful crime scene photographer.

Readership

Undergraduate students in forensic and/or criminal justice programs, law enforcement training centers, police academies and local agencies. Crime scene investigators/photographers, forensic consultants, forensic scientists

Edward Robinson

Edward M. Robinson began his career in law enforcement in 1971, with the Arlington County (Virginia) Police Department (ACPD). After 25 years with the ACPD, Mr. Robinson created the Crime Scene Investigation concentration at The George Washington University for their Master of Forensic Science degree program, and continues there today.

Affiliations and Expertise

Associate Professor, Forensic Science Department, The George Washington University, Washington, DC.

Introduction to Crime Scene Photography, 1st Edition


Acknowledgments

Introduction

Chapter 1 An Overview of Crime Scene Photography and Composition

    Photo Documentation Forms

    Composition and Full Field of View Responsibility

    Chapter Summary

Chapter 2 Exposure

    The Proper Exposure Triangle

    Exposure Stops

    Exposure Variables

    Reciprocal Exposures

    The Reflective Light Meter

    Normal Versus Nonnormal Scenes

    Tools for Determining Proper Exposures with Tricky Scenes

    Exposure Modes

    Bracketing

    The F/16 Sunny Day Rule

    Common Filters

    Chapter Summary

Chapter 3 Focus, Depth of Field, and Lenses

    Focus

    Depth of Field (DOF)

    Lenses

    Chapter Summary

Chapter 4 Electronic Flash

    Manual Flash Exposure Mode

    Automatic and Dedicated/TTL Flash Exposure Modes

    Fill-In Flash

    Direct Light

    Oblique Light: Hard and Soft Shadows

    Bounce Flash

    Aperture Priority Mode for Large, Dimly Lit Scenes

    Chapter Summary

Chapter 5 Energy Filters and Sensors Ultraviolet/Visible/Near Infrared

    The Spectrum

    UV/IR Cameras

    Film and Other Camera Sensors

    Light (Energy)

    Filters

    Reflectance

    Luminescence

    Chapter Summary

Chapter 6 Digital Processing of Evidentiary Photography

    In the Beginning

    That Really Bytes!

    Do You Give a RIP? Raster Graphics versus Vector Graphics

    The Speed of Light ... I Mean Bits

    Taking a Bite (Make that Byte) Out of Digital Imaging

    Some Like their Data Raw

    Guidelines and Standards

    Image Classifications

    The Ball is in Your Court

    Reliability

    Reproducibility

    Security

    Discovery

    Case Law

    What Goes in Must Come Out ... Sort of

    Pixels, Dots, and Samples, Oh My

    Can You See It Now?

    Image Processing Guidelines

    Supplemental Guidelines for Brush Tools (Burn and Dodge)

    Summary

Chapter 7 Legal Issues Related to Photographs and Digital Images

    Photographs and Digital Images as Evidence

    A Fair and Accurate Representation of the Scene

    Authentic

    Relevant and Material

    Legal Implications of Digital Imaging

    Chapter Summary

Glossary

Index




Quotes and reviews

"The book initiates the novice to all the essentials of basic crime scene photography techniques."--Evidence Technology Magazine, July-August 2013

 
 
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